这部电影题目翻译方法( fǎ)有两种。通译（包括英文）是( shì)“圣地亚哥在下雨”，另一种( zhǒng)翻法是“圣地亚哥的风暴( bào)”，涉及历史事件是智利民( mín)选总统萨尔瓦多·阿连德( dé)被后来智利军政府头子( zi)皮诺切克杀害，由此，詹明( míng)信意义上的六十年代终( zhōng)结了。

这部电影音乐是由( yóu)阿根廷探戈大师阿斯特( tè)·皮亚佐拉创作的。BT上有个( gè)皮亚佐拉电影配乐的全( quán)集，包括索拉纳斯的《Sur》在内( nèi)，4.7G，大半是flac文件，感兴趣的朋( péng)友可以去找找。用google关键词( cí)"Il pleut sur Santiago Astor Piazzolla"即可。

本片出品国家是法( fǎ)国和保加利亚，看到片尾( wěi)字幕工作人员里“XX夫（-v）”一大( dà)群。片子主要讲法语，仅部( bù)分阿连德的讲话是原版( bǎn)西班牙语录音。显然不是( shì)实拍也不会是实拍。法国( guó)驻智利的记者占据了一( yī)个重要视点。查了一下导( dǎo)演Helvio Soto的资料，英文的很少，imdb提( tí)供资料如下：

Date of Birth:21 February 1930, Santiago, Chile（February 21）
Date of Death:29 November 2001, Santiago, Chile（November 29）

（日期根据 http://www.cinenacional.com/personas/index.php?persona=27233 ）

google一( yī)番未果，再从google图片搜索，结( jié)果连到两个比较有用的( de)网页：

http://www.emol.com/noticias/magazine/detalle/detallenoticias.asp?idnoticia=289101

http://www.quepasa.cl/medio/articulo/imprimir/0,0,3255_5700_175170315,00.html

都是西班牙文网页( yè)。经过google翻译器，大概知道的( de)信息如下：

1、Helvio Soto一度流亡法国( guó)。

2、2001年死于肺癌。

3、1969年拍过一个( gè)貌似很牛的关于太平洋( yáng)战争的片子《Caliche sangriento》（Bloody Nitrate，姑且译作“血( xuè)腥硝石矿”，“was a critical look at the conflict between Chile, Peru and Bolivia.”目前一批专家( jiā)正在修复这个片子。最近( jìn)Helvio Soto被智利重新关注也来自( zì)这个片子。

后来又搜到一( yī)个网页（还是通过google图片）：

http://www.festivalcinenorte.cl/main.html?src=/14529.html%3F*session*id*key*%3D*session*id*val*
（导( dǎo)演Soto）

有一段关于Helvio Soto的介绍：（google翻( fān)译后的）

The lawyer Helvio Soto (1930-2001) is considered one of the most important film directors of our country, stressing, especially in the period of so-called Nuevo Cine Chileno. After working as an assistant in Argentina and radio stations of Ecuador, returns to Chile at a time when the cinema was experiencing significant growth.

His first film was "I had a comrade," who performed with the support of the Experimental Theater at the University of Chile in 1964. After his early short films, Helvio Soto made "Monday, 1 Sunday 7," feature film, with photographs of Ferdinand Bellet. After filming "Bloody Caliche," which was censored by the government of Eduardo Frei Montalva to pressure from the military.

When launching the government of Salvador Allende in 1970, Helvio Soto assumed administrative duties at National Television, exercising his parallel job as director of several television series. In 1971 he performed his next feature film "Voto more rifle," a critical eye on the history of Chile, which was received on an irregular basis. Later films "Metamorphosis of the head of the political police," which fails to be exhibited in Chile because of the coup d'état, however, as presented in Europe. His filmography continues with "It's raining on Santiago," his first film 'European', which portrays the days of the coup d'état, torture, abductions and disappearances, was acclaimed in Europe, Asia and North America, but banned by the Chilean dictatorship.

Helvio Soto lives in exile and returned to Chile but not until the nineties, where he begins a teaching career, which trains new generations of filmmakers, giving them a perspective of cinema as an artistic expression committed more than a purely commercial activity. He died on November 29, 2001 to 71 years.

如此说来，还有“智( zhì)利电影新浪潮”（El Nuevo Cine Chileno）这个东西( xī)存在啊……
根据这段材料，Helvio Soto在( zài)阿连德时期管理智利国( guó)家电视台，同时导演了几( jǐ)部电视剧（根据imdb材料，仅有( yǒu)"Loco estero, El" (1968) TV series (1968) 一部，大约两者必有一个( gè)有误）。1973年的电影被军政府( fǔ)禁映。流亡欧洲之后拍摄( shè)了著名的《圣地亚哥在下( xià)雨》，在欧洲、亚洲、北美轰动( dòng)（看到Imdb的一个影评说北美( měi)某次放映之后全体起立( lì)鼓掌5分钟），同样必然被禁( jìn)映……

又搜索了一下“智利电( diàn)影新浪潮”，有个关于智利( lì)电影史的网页：
http://www.memoriachilena.cl/temas/dest.asp?id=cinech50nuevo
另外则是( shì)终于找到了一个靠谱的( de)网页：
http://es.cinechile.wikia.com/wiki/Helvio_Soto
在这个网页上没有( yǒu)比上面贴出来的那段英( yīng)文更多的信息了……于是搜( sōu)索的奥义就是——在这个地( dì)方： www.google.cl ，嗯……这次的关键词是“Helvio Soto Filmografía”，不( bù)懂西班牙语的人便只好( hǎo)靠google了呀……
然后找到了更多( duō)的信息，是这个网页：
http://eljineteinsomne.blogspot.com/2008/08/una-entrevista-helvio-soto-andrs.html
（可以( yǐ)看这个地址： http://translate.google.cn/translate?u=http%3A%2F%2Feljineteinsomne.blogspot.com%2F2008%2F08%2Funa-entrevista-helvio-soto-andrs.html&hl=zh-CN&ie=UTF-8&sl=es&tl=en ，是翻译成英( yīng)文的）
非常靠谱，是Soto在准备( bèi)《圣地亚哥在下雨》时的一( yī)篇访谈，摘生平如下：
Helvio Soto: "The films that excite me are those that reveal a real concern for others"
Helvio Soto (1930 - 2001) is considered one of the most important film directors in Chile. Extended the studies of law and director of actors, and published the novels "Something like that" (1957), "The Pit" (1960), "Week after week" (1967) and the political essay "Revolution is freedom" (1963 ), Noted as a filmmaker before, especially in the period of so-called Nuevo Cine Chileno, with his sharp political content of films. His filmography includes "Monday 1, Sunday 7" (1968), "Caliche bloody" (1969), "Voto more gun" (1971), "Metamorphosis of the Chief of Police Politics" (1973), "It's raining on Santiago "(1975)," The triple death of the third character "(1980) and" Americonga "(1984). After his return from exile imposed by the criminal military dictatorship, Soto was devoted to teaching at the University of the Arts and Communication Sciences, forming new generations of filmmakers from the perspective of cinema as art rather than as a compromised activity purely commercial. In early 1974, when they began to prepare his film about the military coup, was interviewed by Argentine journalist Alfredo Andres (1934), Friend of the journal "Filming and Watch", in which 4 (Buenos Aires, January 1974 ) Appeared the note.

Soto的电( diàn)影理念据说受到了意大( dà)利新现实主义和苏联社( shè)会主义现实主义的影响( xiǎng)。这个网页告诉我们，他也( yě)出版过小说，发表过政论( lùn)文章，拍的电影也被认为( wèi)是政治电影。OK，差不多了……阿( ā)连德的困境跟卡斯特罗( luó)的困境很相似，卡斯特罗( luó)还送了阿连德一把枪……不( bù)同的是古巴成功了而智( zhì)利失败了。格瓦拉说得对( duì)。

最后说两句关于这部电( diàn)影的吧。当然，最上等的是( shì)皮亚佐拉的音乐，电影里( lǐ)音乐倒用的很节制，没怎( zěn)么煽情。有三个段落很精( jīng)彩，一个是阿连德和总统( tǒng)府剩下的18个人逐一战死( sǐ)的时候（虽然各种穿帮，比( bǐ)如人倒下了衣服上连弹( dàn)孔都没有），升格镜头剪得( dé)很华丽，颇有吴宇森的范( fàn)儿（当然我确定他那个时( shí)候还没有吴宇森），最上等( děng)的处理在于只有音乐而( ér)没有现场声。其二是体育( yù)馆里军政府处理闹事学( xué)生的大场面，作为一个段( duàn)落很饱满。然后便是结尾( wěi)，给聂鲁达送葬（国葬？）的场( chǎng)面。不过就影片而言，试图( tú)用全景式的手法来写，结( jié)果各说各的，不算成功，毕( bì)竟影片政治立场在前，而( ér)且Soto的选择是直接处理。另( lìng)外则是对阿连德总统的( de)处理，“扮演”阿连德的演员( yuán)，除了战死的一场戏几乎( hū)没有正面镜头，我数了一( yī)下仅两三个，多是在画面( miàn)的前景处露一个背影，或( huò)者是虚焦处理。基本没有( yǒu)台词，几次著名的讲话也( yě)是用录音。当然，在Soto的心里( lǐ)，阿连德是“不能被扮演”的( de)。这部影片的价值在于直( zhí)面的勇气和当然的左派( pài)立场。最有趣的一点是，皮( pí)诺切特政变的日期是——73年( nián)9月11日。911短片集里，Ken Loach正是用这( zhè)一事件来形成与911的互文( wén)。似乎是因果报应，但实际( jì)情况并非如此，智利政变( biàn)是新自由主义的胜利，是( shì)智利的悲剧，而911却是“人类( lèi)”的灾难，是恐怖分子“反人( rén)类”的行为。如此我们还能( néng)说什么呢。

漫长的六十年( nián)代，在圣地亚哥的“大雨”中( zhōng)结束了。电影里面，那个清( qīng)晨广播里的“圣地亚哥在( zài)下雨”是一个邀请听众参( cān)与的谜语，却变成了一个( gè)令人毛骨悚然的谶语。这( zhè)么多年过去了，那些人物( wù)早以风流云散，世界却还( hái)是格瓦拉所言的帝国主( zhǔ)义统治世界，甚至比那个( gè)时候更残酷。Soto的悲愤仍然( rán)那么的令人难过。

http://www.mtime.com/my/yinxiang/blog/1544359/